28 209 безплатни аудиофайлове за "Midi Files Of Rhythms And Percussion Music"

Fantasiestücke, Op. 12, Nr. 8, "Ende vom Lied", by Robert Schumann (17 KB, 4:01 minutes)

Fantasiestücke, Op. 12, Nr. 7, "Traumes Wirren", by Robert Schumann (16 KB, 2:43 minutes)

Bach - Gigue from English Suite no. 1 in A Major, BWV 806, m. 38 MIDI

Schubert - D. 759, I mm.60-4, without G.P.

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 88

Fantasiestücke, Op. 12, Nr. 6, "Fabel", by Robert Schumann (15 KB, 2:13 minutes)

Der Kanon O wie wohl ist mir am Abend als MIDI-Datei. The canon O wie wohl ist mir am Abend as a MIDI file.

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 116

Leck mich im Arsch

Schubert - D. 759, I mm.60-4, with G.P.

Nocturne in D-flat Major, Op. 27, No. 2

Borrowed chord (viio 4 3) in Bach's Prelude in C Major from The Well-Tempered Clavier, Book I, BWV 846, mm. 13-15.

Fantasiestücke, Op. 12, Nr. 1, "Des Abends", by Robert Schumann (8 KB, 3:23 minutes)

Aus dem ersten Satz von Joseph Haydn Klaviersonate Hob. XVI/8

Fantasiestücke, Op. 12, Nr. 4, "Grillen", by Robert Schumann (18 KB, 3:47 minutes)

A few bars from "Erstarrung" and "Der Lindenbaum" from Franz Schuberts songcycle "Die Winterreise"

Beethoven, 9e symphonie, 2me mouvement, partie B au tempo 100

Fantasiestücke, Op. 12, Nr. 2, "Aufschwung" by Robert Schumann (16 KB, 3:29 minutes)

Fantasiestücke, Op. 12, Nr. 5, "In der Nacht", by Robert Schumann (21 KB, 4:25 minutes)

Symphony No. 9, Movement 3, Op. 125

Symphony No. 9, movement 1, Op. 125

Symphony No. 9, Movement 2, Op. 125

Fantasiestücke, Op. 12, Nr. 3, "Warum?", by Robert Schumann (4 KB, 1:37 minutes)

Istrian mode as subharmonics 14 through 7 on C: D-, E↓, F, G↓, A♭, B♭-, C, D-' = D, E, F, G♭, A♭, B♭, C, D'.

Von Luzern auf Weggis zu

Four ruffles and flourishes, followed by the Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This combination is used to provide musical honors to senior civilian government officials.

The Grandioso of The Stars and Stripes Forever (its last 32 measures), performed by the U.S. Army Band. This is used to provide musical honors to consuls general accredited to the United States, and is often performed during the posting of the National Colors.

John Philip Sousa's The Stars and Stripes Forever, performed by the U.S. Army Band

Scott Joplin's "The Entertainer", published in 1902 and performed here by James Brigham in 2018.

Edward Elgar's Pomp and Circumstance in D, Opus 39, No. 1 performed by the United States Marine Band

Song: "El carretero".- Author: Arturo de Nava (1876-1932).- Interpreter: Singers: Carlos Gardel & José Razzano; Guitars: José Ricardo y Guillermo Barbieri.- Record: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922. Tema: "El carretero".- Autor: Arturo de Nava (1876-1932).- Interprete: Cantantes: Carlos Gardel & José Razzano; Guitarras: José Ricardo y Guillermo Barbieri.- Grab.: Disco Nacional, Odeón, E757, Side A, matrix 18047, Buenos Aires 1922.

Alternate augmented ninth chord on C.

Dominant minor ninth chord on C: C,E,G,Bb,Db. Created by Hyacinth (talk) 23:07, 14 December 2011 (UTC) using Sibelius 5.

Franz Schubert, Deutsche Messe, "Heilig" (Es-Dur), Gotteslob (2013) Nr. 388

Stars and Stripes Forever March, by John Philip Sousa, performed by Sousa's Band for Edison Records in November 1909. This is Edison Amberol cylinder number 4M-285 (A- ..22). It is NPS object catalog number: EDIS 36682

MIDI file of 'By Starlight' 1936 serenade for piano and string by Louis Lavater (1867-1953)

1937 recording of Aleksander Läte's Tütre tänu. Jenny Siimon (voice) and Elsa Avesson (piano).

1928 recording of Aleksander Läte's Kuldrannake. Tallinna Meestelaulu Selts.

1908 recording of Aleksander Läte's Kuldrannake. Tartu Üliõpilaste meeskvartett.

1939 recording of Aleksander Läte's Ärka üles, isamaa. Estonia muusikaosakonna segakoor.

1939 recording of Aleksander Läte's Kiigelaul. Elsa Maasik (voice) and Olav Roots (piano).

*Sixty-ninth harmonic on C = C♯+ (Ben Johnston's notation). Just: 69:64 = 130.23 cents. Equal-tempered: 21/12:1 = 100 cents. Limit: 23-limit. MIDI pitch bend: 86,73

*Hundred-eighty-ninth harmonic on C = G+ (Ben Johnston's notation). Just: 189:128 = 386.31 cents. Limit: 7-limit. MIDI pitch bend: 115,87 on TT

*Hundred-fifty-third harmonic on C = D♯ (Ben Johnston's notation). Just: 153:128 = 308.87 cents. Limit: 17-limit. MIDI pitch bend: 107,66

*Hundred-seventy-first harmonic on C = F+ (Ben Johnston's notation). Just: 5:4 = 501.42 cents. Limit: 19-limit. MIDI pitch bend: 58,64

*Thirty-third harmonic on C = C↑ (Ben Johnston's notation). 33/32 = 53.27 cents. Limit: 11-limit. MIDI pitch bend: 6,49 Other accidentals[edit] v • d • e #7 = 5·7 : 2·32 = 35 : 18 = -48.77 cents. vs. #L 11 = 3·11 : 25 = 33 : 32 = 53.27 cents. vs. U11 13 = 5·13 : 26 = 65 : 64 = 26.84 cents. vs. E1 17 = 3·17 : 2·52 = 51 : 50 = 34.28 cents. vs. L1 19 = 5·19 : 25·3 = 95 : 96 = -18.13 cents. vs. U19 23 = 2·23 : 32·5 = 46 : 45 = 38.05 cents. vs. U23 29 = 5·29 : 24·32 = 145 : 144 = 11.98 cents. vs. U29 31 = 31 : 2·3·5 = 31 : 30 = 56.77 cents. vs. 1E LE = 3·52 : 2·37 = 75 : 74 = 23.24 cents. vs. 37 41 = 41 : 23·5 = 41 : 40 = 42.75 cents. vs. U41 43 = 3·43 : 27 = 129 : 128 = 13.47 cents. vs. U43 47 = 24·3 : 47 = 48 : 47 = -36.45 cents. vs. U47 53 = 25·5 : 3·53 = 160 : 159 = -10.85 cents. vs. U53 #7, 11, 13, 17, 19, 23, 29, 31, 37, 41, 43, 47, 53... #L, U11, E1, L1, U19, U23, U29, 1E, LE, U41, U43, U47, U53...

*Hundred-forty-fifth harmonic on C = D (Ben Johnston's notation). Just: 144:128 = 215.89 cents. Limit: 29-limit. MIDI pitch bend: 11,69

*Ninety-third harmonic on C = F♯+ (Ben Johnston's notation). Just: 93/64 = 646.99 cents. Limit: 31-limit. MIDI pitch bend: 5,79